Viewing entries tagged
storytelling

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Take Your Time: The Art of Slowing Down on Set

Question: I feel like everything would look and sound better on-screen if I could just learn to slow down, but when I’m on location I’m always worried I’m taking too much time to set up, get my shots, etc. Any advice on taking up space, taking your time, etc.?

Answer: I’m uncomfortably familiar with the nagging feeling that I’m taking up too much time or space while on location. You might worry that your participants are getting impatient, that you’re slowing down the shoot, or that you’re taking too long to get set up. But here’s the truth: quality storytelling requires time, patience, and presence.

The best documentaries result from allowing life to unfold in front of the camera, which takes more time than most people realize. Learning how to balance your needs as a filmmaker with respect for your participants’ time is crucial, but you should never rush the process at the expense of the story.

I also want to note that there tend to be two extremes here. There are people who (like the person asking the question) are afraid to take up any space, and those who take up too much space. Neither approach is helpful. We are seeking a balance between respect for the participants’ time, and a respect for their/your story. You are there, after all, to do a job. You are not there to take, extract, or “capture” something in a greedy way. Developing your filmmaking maturity is key to finding the balancing act of slowing down while being respectful.


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Featured in the BITTER SOUTHERNER

The Bitter Southerner’s recent all-women issue, shares essays, stories, poetry, illustrations, and photography about what it’s like to live right now as women. They reached out to me to be part of a roundup of women in media weighing in with a quick answer to the question: WHAT WOULD BE THE TITLE OF YOUR THEORETICAL BOOK ABOUT BEING A WOMAN IN 2024?

My response: QUIET POWER

If anyone would actually like me to write that book…let’s do it!

Check out all the great responses in the latest issue of BS and sneak peeks on their instagram

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The Magic of Imagination and Storytelling: Lessons from "A Way of Being Free"

A deep dive into Ben Okri’s insights on imagination, creativity, and the role of storytelling in shaping personal and collective realities. The following are my personal book notes from reading A Way of Being Free.


Ben Okri, a British-Nigerian poet and novelist, is celebrated for his lyrical work that seamlessly blends the real with the surreal. A Way of Being Free, a collection of essays, offers meditations on the nature of creativity, imagination, and storytelling. Okri advocates for the power of stories and the uncharted realms of the imagination to shape human consciousness and challenge societal norms. His reflections are both philosophical and personal, shedding light on the artist's role in society. 

Imagination as the Ultimate Frontier

"The problem is with those who are frightened of the rather limitless validity of the imagination, frightened of people who continually extend the boundaries of the possible."

Okri opens the book by exploring the immense potential of human imagination. He notes that the issue lies not in a lack of imagination, but in the fear that stems from its vast, boundless nature. Those who "ceaselessly re-dream the world" are the ones who challenge convention and push humanity towards new possibilities. Okri views imagination as the driving force behind progress, creativity, and the expansion of human consciousness. His emphasis on the "frontiers people of the unknown and the uncharted" speaks to the need for a boldness of spirit in a world that often clings to the familiar. (Page 2)

 The Power of Mystery and Wonder

"The dreams of the people are beyond them, and would trouble them."

For Okri, there is an essential conflict between the world of poets and dreamers and the world of legislators and policy-makers. The latter are often uncomfortable with mystery and wonder because these cannot be quantified, measured, or legislated. Okri points out that mystery and dreams are central to human experience, and to deny them is to limit the scope of our existence. It’s the poets and artists who keep alive the yearning for the unknown and the unexplainable, challenging societal boundaries and inviting us to imagine more than what seems possible. (Page 3)

Embracing Challenges Through Creativity

"It is from the strength of your antagonist that you derive your greater authority."

Okri speaks to the power of adversity in shaping the artist’s voice. He suggests that challenges, whether external or internal, are essential for the artist's growth. The enemies that breed distractions and opposition are what push creators to be more than themselves. Rather than being disheartened by antagonists or challenges, Okri argues that they serve as a vital source of strength, compelling artists to transcend their limitations and dig deeper into their creative reservoirs. (Page 12)

 The Playfulness of Creation

"The artist should never lose the spirit of play."

Okri advocates for a playful approach to creativity. While hard work and seriousness are invaluable, Okri emphasizes the power of playfulness in artistic creation. By embracing a "smile in the soul," artists can approach daunting tasks with lightness and joy. This spirit of play, he suggests, allows the divided self to function as one, elevating the artist to a state of pure creativity where the ego dissolves, and the soul finds peace.

He observes that writing, at its best, is almost a blessed activity. When a writer is truly immersed in the creative process, it’s as if the mood or atmosphere they wish to convey finds the words on its own. (Page 18-19)

 The Tranquility of True Creation

"For me, tranquility is the sign of the invisible presence of grace."

In Okri’s reflections on the act of creation, he highlights the importance of serenity and calm in the creative process. He believes that true creativity arises when an artist is able to connect with a deeper sense of grace and inner peace. Tranquility, concentration, and meditation become the tools through which an artist can access the collective wisdom of humanity. This serene state of mind allows the artist to explore and solve even the most complex creative and human problems. (Page 23)

The Power of Storytelling in a Fractured World

"It may seem that because we live in a fractured world the art of storytelling is dead."

Okri acknowledges that in a world full of fragmented beliefs and competing realities, storytelling might seem like a lost art. However, he pushes back against this idea, insisting that storytelling remains one of the most vital ways of connecting people. Despite the fractured nature of the modern world, storytelling provides a continuous thread that links the human experience across time and space. Okri believes that through storytelling, we can reawaken a sense of wonder, mystery, and shared humanity. (Page 24)

The Subversive Nature of Storytelling

"Storytelling is always, quietly, subversive. It is a double-headed axe."

Storytelling, according to Okri, is not just an act of creation but also an act of quiet rebellion. He writes that stories lie silently in our brains, waiting to challenge us when we least expect it. They subvert complacency and offer alternative ways of seeing and being in the world. This double-headed axe cuts both ways: it challenges the listener or reader but also the storyteller. Stories have the power to shake foundations and disrupt established truths, making them one of the most potent tools for transformation and change. (Page 35)

Changing Lives Through Stories

"We live by stories, we also live in them."

Okri takes this idea further by asserting that stories are not just something we consume—they are the very fabric of our lives. Whether consciously or unconsciously, the stories we tell ourselves shape our identities, beliefs, and actions. Okri suggests that by changing the stories we live by, we can also change our lives. This notion ties into his belief in the transformative power of storytelling and its ability to rewrite personal and collective histories. (Page 37)

Certainty: The Enemy of Creativity

"Certainty has always been the enemy of art and creativity."

In Okri's view, rigid certainty limits the scope of human possibility and narrows our understanding of the world. He argues that when individuals, nations, or ideologies embrace certainty they lose the ability to imagine alternate realities or appreciate the marvelous variety of human experience. Creativity thrives in uncertainty, in the willingness to explore the unknown without needing definitive answers. Certainty, in contrast, stifles growth and leads to destructive violence and division. (Page 25)

The Storyteller as Guardian of Wisdom

"The storyteller's art changed throughout the ages."

Okri traces the evolution of storytellers from their ancient role as protectors of the tribe, fending off fear and dread with words and incantations, to their current position as the living memory of a people. Storytellers preserve the dreams, wisdom, and tragedies of their communities, keeping them alive for future generations. In this sense, they become more than entertainers—they are the keepers of history and the interpreters of the collective unconscious. (Page 30)

 Hope and Striving: The Magic of Transformation

"Hope and striving have magic in them."

Okri concludes his reflections by celebrating the power of hope and the beauty of struggle. He speaks of those who embark on monumental journeys to overcome their predicaments, suggesting that these individuals are luckier than they might think. There is something "awesomely beautiful" about the human spirit's determination to strive for a better future, even in the face of seemingly insurmountable odds. Okri captures this sentiment in his observation that "struggle is life," and it is through this struggle that individuals and societies can climb the metaphorical mountains toward new destinies. (Page 108)

The Power of Redreaming the World

"The only hope is in daring to redream one's place in the world."

At the heart of Okri’s philosophy is the belief that humanity’s greatest potential lies in its ability to imagine new realities. It is only through the act of “redreaming” the world that we can break free from the limitations of the past and move toward a better future. (Page 45)

The Sacredness of Life and Stories

"We are part human, part stories."

Okri’s A Way of Being Free is an invitation to embrace the boundless nature of imagination, to value the magic of storytelling, and to engage with the world in a spirit of playful yet profound creativity. It is a call to dream, to challenge certainty, and to dare to imagine a new world. Ultimately, Okri reminds us that storytelling is not just a form of art—it is the very essence of life. Through stories, we discover who we are, who we can become, and how we are all connected. (Page 92)

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Find Inspiration: Interactive Storytelling

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Find Inspiration: Interactive Storytelling

A friend wrote me asking for resources to find/discover/learn about interactive storytelling. I compiled my list of go-to links and sent her an email, but decided that it may be helpful for all of you too! So below, I have listed out the sites that I like to go to for updates in interactive storytelling. There are certainly many more (add the ones you love in the comments section) but these are my favorites, and have a bit of a non-fiction slant to them.

RESOURCES
DISCOVER PROJECTS THROUGH PLACES THAT AWARD & EXHIBIT INTERACTIVE MEDIA:
Share your resources below!

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Just Launched: Disaster Resilience Journal

In collaboration with Helios Design Labs and the Red Cross EU, we bring you The DISASTER RESILIENCE JOURNAL. Over the next 42 days, we will bring you stories from people all across the world. Stories of the natural disasters people face and the steps they are taking to overcome them. Some of these stories are photos and text, while others are video-driven. Micro-games allow you to simulate preparing for a disaster and interviews with experts provide insight into resilience.  We just launched the journal today, but the fun begins tomorrow as new stories and games appear daily. Make sure to check out the site everyday to watch the stories unfold (some of my favorite stories and game wont appear until 20 days in!) To learn more about the project and see "my favorites" list click here.  To read about our process check out Mike Robbin's post on the Helios blog.

Join us for this 42-day journey!

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Hollow named Honoree for Webby Awards

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NEW YORK, N.Y. -- Hollow an interactive documentary that explores the issues and future of small-town America, was named as an official honoree in the Community Category in the 18th annual Webby Awards. Established in 1996, the Webby Awards is the leading international award honoring excellence on the Internet. Hollow, which launched June 2013, tells the story of 30 residents living in McDowell County, W.Va., a once-thriving community in Southern West Virginia. The interactive documentary merges cinematic techniques with web-based storytelling to encourage a dialogue about the issues that small-town America faces.

Hollow was created by group of Boston-based designers, editors and developers. The development and post-production team included Elaine McMillion Sheldon (project director and editor), Jeff Soyk (interactive designer and architect), Robert Hall (senior technologist), Russell Goldenburg (interactive developer), Billy Wirasnik (sound designer and editor), Tricia Fulks (associate producer and research), Sarah Ginsburg (editor) and Kerrin Sheldon (editor).

Official Honorees’ work exhibit remarkable achievement that was not selected as a Nominee in the Webby Awards. Out of 12,000 entries submitted from more than 60 countries and all 50 states, the Official Honoree distinction is awarded to only the top 15 percent of all work entered.

Future screenings of the film will be held at Shepherd University (Shepherdstown, W.Va.) on April 11; Wheeling Jesuit University (Wheeling, W.Va.) on April 15; Nyon, Switzerland from April 27 to 29; and Vermont College of Fine Arts (Montpelier, Vt.) from April 30 to May 3.

To experience the interactive documentary, visit www.hollowdocumentary.com.

To purchase a DVD, visit http://projecthollow.bigcartel.com/.

To see a full list of awards and screenings, visit: http://tinyurl.com/ng9wo2z.

DOWNLOAD PRESS RELEASE

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Hollow: Our Lessons Learned, Your Guide to Producing an iDoc

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SYNOPSIS Do you have questions about producing an interactive documentary? The makers behind Hollow, an award-winning interactive documentary about small-town America, are holding a live discussion to help you kick off your interactive projects in 2014.

The team will be available to answer questions about Hollow's fundraising and community building model, as well as design and development. Come with questions and be ready to learn from the team's successes and failures.

REMEMBER Google limits 10 people in the "room" at once. So come with questions and then let others in. The entire discussion will be posted on YouTube at 1 pm after the chat ends. After that point, you can reference it, revisit it and post it as you please!

 

Find us HERE on January 21, 2014 from noon to 1PM (EST).

 

TEAM MEMBERS IN HANGOUT: Director and Producer - Elaine McMillion Sound Designer - Billy Wirasnik Technical Director and Senior Developer - Robert Hall Art Director/Designer and Architect - Jeff Soyk

 

MODERATOR: Opeyemi Olukemi - Program Associate, Digital Initiatives at Tribeca Film Institute

 

HOW WILL IT WORK? When we go "live" there will be a Q&A sidebar on the video. You can post your questions there OR tweet at #hollowdocchat

 

FESTIVALS: New York Film Festival - 2013 Camden International Film Festival - 2013 Doc Lab at International Documentary Festival of Amsterdam - 2013 Future of Storytelling (featured in the Story Arcade) - 2013

 

AWARDS: Adobe Creative Edge Award - FWA Site of the Day - FWA Site of the Day - CSS Design Awards Selected for Doc Lab (Hollow was nominated as one of the top 3 projects out of 15 projects) - International Documentary Festival of Amsterdam Research and Documentation Award - National Coal Heritage Foundation

 

FEATURES AND REVIEWS: LA Times Huffington Post Filmmaker Magazine PBS Media Shift

 

WHAT ARE PEOPLE SAYING ABOUT HOLLOW?

LA Times:

Filmmaker Elaine McMillion’s project "Hollow: An Interactive Documentary" bridges that gap between the storyteller and the audience. The project is practically a living, breathing thing; viewers can subscribe for updates on individual people. Such connections create insight and understanding.

Huffington Post:

Anyone who saw promise for the future of web-based journalism after watching/reading The New York Times’ highly innovative "Snowfall," will positively be drawn to the work produced at "Hollow." It is next level. Maybe the most magnificently presented, web-aware journalism I’ve ever seen. But more important than the visual achievement is what it does — documenting the lives of people who live in a mostly ignored rural community, far from the traditional media bastions and bubbles.

TWEETS FROM VIEWERS:

I can say with confidence (Hollow) wins the Internet for 2013.Beautiful documentary execution of both film and interactive. Put down the #netflix and watch this. #hollerhomeExploring the greater tensions of modern America.Everyone–historians, students, designers, developers–drop everything you’re doing and watch this interactive doc.Hollow, the story of the American 20th century; the opening interaction is worth the price of admission (free) alone.Beautifully arresting. Stereotype-busting. An interactive documentary about people and a community.Hauntingly beautiful web-based storytelling@hollowthefilm is a game changer for interactive storytelling. Stunning!

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